I think the most fun part about working on 'Good Luck Charlie' is spending time with everyone, honestly, because everybody on set is like my brother and sister and mom and dad. They're so fun to be around, so that's probably the best part about working there.
People are famous for being famous and for nothing else. And good luck to them, because it lasts about a year and then they're nothing again.
Working on 'Good Luck Charlie' has been an awesome experience, and it's so crazy to build a fan base and have all those people tune into the show.
One reason I chose gunpowder is that I had the good luck in my environment to be exposed to gunpowder. The other reason is I was always looking for a visual language that goes beyond the boundary of nations, and so I found gunpowder.
The last time I saw Ted Kennedy was a generation after my first meeting, at the Senate subway below the Capitol on Obama's Inauguration Day. He was his usual gregarious and gracious self - with beaming smile and booming voice wishing my husband and me good luck with our pregnancy and expressing his excitement about the new president.
My great-grandmother lived to be 100 years old, so I got to know her. She always sent us birthday cards that had $2 bills inside - we kept them for good luck.
I have a musical called Goodbye and Good Luck, based on a Grace Paley short story. I also have King Island Christmas, and there are 20 different productions of it this year.
I wear a St. Christopher medal. On the back it says: 'Good luck, good luck, good luck - Mama.'
If it turns out to be a hit, well, good luck dealing with fame. And if it's not a hit and you can still survive and make music you believe in, well, then you're truly blessed. I think that's where we are now.
Good night, and good luck.
